Charlotte Smith Media Studies
Wednesday 27 February 2013
Tuesday 19 February 2013
DVD poster analysis
REVENGE
When then look at the quote ‘what goes around comes around’ which is the opposite colour to her dress so that it stands out, as is the title except for the letter ‘g’ which is in red which has connotations of evilness. The font is quiet feminine but has a sharp edge which could tell us something about the character. As this is a promotion poster is has the date of which the programme premieres and this is also in a white font to make it stand out from the dress, and then the company that produces it follows this to give the programme quality. Both the quote and date are in capital letters but smaller than the title as the title should be what is standing out the most but they still want the other text to be noticed.
DEXTER
The main signifier of this poster is the man as he is the only character on the poster. Again from this we can gather he is the main character.
The main
signifier of this poster is the woman, as she is the only person there and she
is the first thing we look at. From this we can gather she is the main
character, which
is unusual as she is a woman.
She is
wearing a black dress which leads down to thorns which has connotations of evil
and mysterious, which also relates to her facial expression as she is giving us
direct mode of address but she is mysteriously glaring at us. Her body position
is quite firm to represent a serious character The use of male gaze can also make the audience want to watch the programme. She is contrast to the
back ground as it is much more bright, there is clouds in the background which
makes it not a perfect sky this could relate to the story line, but she
dominants the poster as her and her dress takes up most of the space and gets
the most attention.
When then look at the quote ‘what goes around comes around’ which is the opposite colour to her dress so that it stands out, as is the title except for the letter ‘g’ which is in red which has connotations of evilness. The font is quiet feminine but has a sharp edge which could tell us something about the character. As this is a promotion poster is has the date of which the programme premieres and this is also in a white font to make it stand out from the dress, and then the company that produces it follows this to give the programme quality. Both the quote and date are in capital letters but smaller than the title as the title should be what is standing out the most but they still want the other text to be noticed.
DEXTER
The main signifier of this poster is the man as he is the only character on the poster. Again from this we can gather he is the main character.
It is an
extreme close up so we can only see his face, we are getting direct mode of
address and from his facial expression we can assume he is angry about
something. There is also a cut on his face which could contribute to the story line We can only see the top of his top, but his facial hair has
connotations of ‘rough and ready’ which can relate to using a female gaze
character.
This poster
is very simple and it is landscape which is unusually, but there is nothing
specific about the background except that it blends from blue down to a misty
brown, so this automatically makes the character stand out the most.
The quote,
title and date are all in the same colour and similar fonts. They are all in a
masculine sharp font, but the title and the date are in capital letters because
they are the ones that want to draw the most attention to. The American television
channel is in a different colour as they would want this to be made clear and
not blend in with all the other text, this is also there to give the programme quality.
PRISON BREAK
PRISON BREAK
The main
signifier in this poster is that man in front of the other, as he is the first
character we look at and also he takes up more space than the other and is in
the centre of the poster. Unlike the other posters there is two characters on
this one which says both these characters could be equally important in the
show, but as one is positioned in front of the other this shows us he will be
the character with more power.
The shot is
a close up as we can only see the characters from the shoulders up, it is also uses the female gaze. We are
getting direct mode of address from both characters but from their facial
expressions we can gather they are angry as they both have pierced eyes, and a
very serious face.
The lighting
is very dark which connotes mystery, and there is two lights being placed on
the two characters which brings them out from the background but there is still
a dark shadow hitting both characters from the right. This shadow is very
strong and it covers half of the main man’s face which adds to the mystery of
this character. Both characters are male and there is no representation of
women which is playing on the stereotype of women being weak characters. The lighting at the bottom of the poster is
much lighter as this is were all the text is and this bit wants to stand out.
The text is
a very manly font and really stands out from the background. We know which part
is the title as it is a different colour and the biggest text on the poster and
also is the brightest part of the poster. The date and the broadcasting company
‘FOX’ is the second biggest as they want this to be clear and to stick in the
audiences head, and to also give it quality. The quote is then slightly smaller but as it
is still around the title it is still noticeable.
Tuesday 15 January 2013
DVD cover analysis
PRISON BREAK
The main signifier of this cover is the man in the background as he is a lot bigger than the other character, we then look at the smaller character who is crouched down. There is no representation of women on the cover which is playing on a stereotype that women are weak characters. Similarly there is no representation of race on the cover which is playing on the stereotype that a character of race is rarely the main character.
The camera is a front shot but we are only getting direct mode of address from the dominant character, the other character is looking up maybe away from us. The lighting is very dark from the right side and this makes it very difficult to see the right half of the dominant characters face giving off a sense of mysteriousness. The character who is crouching down has a light shedding on him from where he is looking and very little shadow on him this could relate to the sense of hope.
The facial expressions of the characters are also quite different as the dominant character has a very serious look about him and we get this from the one eye we can see which is very piercing. The other character although he has some seriousness about him, he also has a look of worry, this can be shown in the way that his mouth is slightly open yet no expression is truly formed.
When it comes to dress code the smaller character stands out more as it is clear what he is wearing. He is wearing a grey overall and big black boots which tells us he could be linked to the title. The why he is positioned and the way he is wearing his overall gives of an impression that he is quite chilled and sly. Whereas the other character we can only see something blue which is faded out so the main focus is on his face.
The background also plays a significant part as it is mainly white and is a contrast to the characters. There are faded lines across and down which portrays walls and bars which has connotations of prison. The text is very manly which could portray a manly programme.
The back of the cover starts with the title and summary of what will happen in the series underneath this is some screen shots of parts of episodes and the purpose of all this is to make the audience want to watch it.
REVENGE
The main signifier's of this cover are the four boys, as they take up the most room, they are all in school uniforms which gives away the target audience of teenagers. They are positioned in dress code as the characters behind have a blue jumper on whereas the two in front don't, this could say that the two characters in front have more power.
It is a full body shot of the characters and we are getting direct mode of address and although there body positions are similar their facial expressions vary as the two characters on the right have a more chilled out facial expression as they are laughing but the others have a more serious facial expressions.
The title and series of the programme is over the characters as most of the attention is drawn to the middle. The font sticks out as it is in contrast to the characters and has a slight dark shadow around it. The font at the top of the front, the DVD logo and also the channel 4 logo is in black as an opposite to the title, and is there to give the programme quality and to make the audience want to watch the programme. The 18 logos are also a brighter colour to make them stand out as this is a legal obligation.
The spine of the DVD has a darker background, and has the title the series, the DVD logo, the channel logo and the age on it. The darker background makes these stand out more so that it is more eye catching to an audience.
The back of the DVD cover starts with 3 statements from different newspapers to appeal to the audience. Then underneath in a bolder font has 'award wining' written as they want to make this stand out to make the programme look better. Then there is a brief about the series which gives you a little incite on what will happen to draw your attention in and make you want to watch it. Then underneath is a half body shot of the same characters from the front in a similar position .
The main signifier of this cover is the man in the background as he is a lot bigger than the other character, we then look at the smaller character who is crouched down. There is no representation of women on the cover which is playing on a stereotype that women are weak characters. Similarly there is no representation of race on the cover which is playing on the stereotype that a character of race is rarely the main character.
The camera is a front shot but we are only getting direct mode of address from the dominant character, the other character is looking up maybe away from us. The lighting is very dark from the right side and this makes it very difficult to see the right half of the dominant characters face giving off a sense of mysteriousness. The character who is crouching down has a light shedding on him from where he is looking and very little shadow on him this could relate to the sense of hope.
The facial expressions of the characters are also quite different as the dominant character has a very serious look about him and we get this from the one eye we can see which is very piercing. The other character although he has some seriousness about him, he also has a look of worry, this can be shown in the way that his mouth is slightly open yet no expression is truly formed.
When it comes to dress code the smaller character stands out more as it is clear what he is wearing. He is wearing a grey overall and big black boots which tells us he could be linked to the title. The why he is positioned and the way he is wearing his overall gives of an impression that he is quite chilled and sly. Whereas the other character we can only see something blue which is faded out so the main focus is on his face.
The background also plays a significant part as it is mainly white and is a contrast to the characters. There are faded lines across and down which portrays walls and bars which has connotations of prison. The text is very manly which could portray a manly programme.
The back of the cover starts with the title and summary of what will happen in the series underneath this is some screen shots of parts of episodes and the purpose of all this is to make the audience want to watch it.
REVENGE
The main
signifier of this cover is the woman with a black dress on as she is the
biggest thing on the cover. She is wearing a black dress that leads down to
thorns which has connotations of dangerous, dark and maybe mysterious. We are
also getting direct mode of address from this character, and the way her body
is positioned has a sense of seriousness about her, and also how she is
positioned in front of the other character gives her more power which is
unusual as the main protagonist of a text is usually a male.
Then there
is the characters that are in a strip across the background. We are also
getting direct mode of address from them, and again from their facial
expressions they all portray serious determined characters. The strip these
characters are in is full of dark clouds which could suggest something about
their personalities or even their past life.
The main background is dark red which has connotations of evil and has
some text scrolled over it which could relate to the title or story line in the text. The title is quiet feminine but with a sharp edge this could be because the main character on the DVD cover is a woman. On the side of the
case there is the company which produced the show which is an example of brand
identity, then the name of the series is repeated so it is clear what it is.
On the back
of the cover there is a quote from a newspaper about the series and then a
brief about the series to make the audience want to watch it. There is also
screen shots of parts of episodes, and a special features box again to intrigue the
audience want to watch it. There is then a picture of the same woman from the
cover but in a different position, this time she i s not giving the audience
direct mode of address and her facial expression is more devious which makes
the audience see her in a different perspective and makes them think to what
her character is really like.
THE INBETWEENERSThe main signifier's of this cover are the four boys, as they take up the most room, they are all in school uniforms which gives away the target audience of teenagers. They are positioned in dress code as the characters behind have a blue jumper on whereas the two in front don't, this could say that the two characters in front have more power.
It is a full body shot of the characters and we are getting direct mode of address and although there body positions are similar their facial expressions vary as the two characters on the right have a more chilled out facial expression as they are laughing but the others have a more serious facial expressions.
The title and series of the programme is over the characters as most of the attention is drawn to the middle. The font sticks out as it is in contrast to the characters and has a slight dark shadow around it. The font at the top of the front, the DVD logo and also the channel 4 logo is in black as an opposite to the title, and is there to give the programme quality and to make the audience want to watch the programme. The 18 logos are also a brighter colour to make them stand out as this is a legal obligation.
The spine of the DVD has a darker background, and has the title the series, the DVD logo, the channel logo and the age on it. The darker background makes these stand out more so that it is more eye catching to an audience.
The back of the DVD cover starts with 3 statements from different newspapers to appeal to the audience. Then underneath in a bolder font has 'award wining' written as they want to make this stand out to make the programme look better. Then there is a brief about the series which gives you a little incite on what will happen to draw your attention in and make you want to watch it. Then underneath is a half body shot of the same characters from the front in a similar position .
Sunday 13 January 2013
5th draft
SUSPICOUS BLOOD
BY
CHARLOTTE SMITH
DURATION (9:00am – 12:15pm)
DAY AFTER PREVIOUS EPISODE
SCENE 132/1.EXT
HOME
(9:00am)
STEVEN and LINDSEY
are walking out of the house, the neighbours who are in pyjamas stare out of
their window as Lindsey and her father get into the car. Steven is dressed in a
black suite with his jacket held over his shoulder, Lindsey is dressed in a
dark black pants with a white top.
LINDSEY:
Why does she have to stare at us
like that?
STEVEN:
(Starts the engine) I don’t know
Lindsey just Ignore it
There is an awkward
silence until they reach the next set of lights
STEVEN:
(Turns his head to Lindsey) Lindsey
are you okay?
Lindsey ignores her
dad and stares out the window
132/2.EXT
CHURCH
(9:30am)
Steven’s close
friends and family are waiting outside the church, DEBBIE a close family friend
who is stood with her daughter BETHANY on the church car park is rooting around
in her bag.
DEBBIE:
I wonder where they are, there twenty
minutes late…ring them will you
BETHANY:
They’ll be here in a minute, don’t be
so inpatient mum(Lindsey and Steven
are seen driving up the road)See
they’re here now
DEBBIE:
Okay be extra nice Bethany it will be
a hard day for them
BETHANY:
(Sighing)I will
Various family and
friends approach Steven’s car as Lindsey and Steven get out, everyone is silent
STEVEN:
Right well, we all know why we’re here
(stares around) let’s get on with it
Steven grabs his
jacket out of the car, swings it over his shoulder and heads towards the
church, Lindsey, family and friends follow
132/3.INT
HOUSE
(10:00am)
Back at AMANDA’S
house. Amanda is the next door neighbour of Steven and Lindsey.
AMANDA:
(Shouting pacing up and down the room)
I can’t believe they didn’t invite me.
How can they not invite ME? I was her
best friend, yeah we had a small
argument but what should that matter?
We were still best friends, she would
of wanted me there.
BERT:
(Sat on the sofa with a brew
in his hand watching television) There
is no point in shouting to me about it,
if you’re that bothered then just go,
they’re most likely not going to make a
scene about you being there
AMANDA:
I can’t just show up with no
invite or anything… (Stops pacing)
actually yes I can, yes I can, he can’t
stop me can he?...right I’m going to go
it, I’m going to go
Amanda grabs her keys
and coat and heads to the door
AMANDA:
Okay I’m going,
BERT:
Get some tea bags whilst your out
please
Amanda slams the door
and gets into the car
AMANDA:
(Whispering to herself)can do this,
I can do this
Amanda puts the keys
in the car sits and stares out the window there is then a repeated banging on
the window
BERT:
You’ve forgot your bag!!You can’t
buy teabags if you don’t have this
(Chuckles to himself)
Amanda winds her
window down and snatches the bag off of Bert who is stood in his dressing gown
AMANDA:
Don’t tell me that you hope it goes
okay or offer to come with me… its fine
Amanda winds her
window up and drives away
132/4. EXT
CHURCH
(10:15am)
Amanda pulls up next
to the church as everyone starts to exit, she gets out the car and walks over
to Steven, Steven looks over very shocked and irritated
STEVEN:
(Staring directly in her eyes,
whispering angrily) What do you think
you’re doing here? You shouldn’t be
here you wasn’t invited, and I don’t
want you here so please go home
AMANDA:
(Calmly) Listen I’m not here for
trouble, I was her best friend, I
have a right to be here, you might
not want me here but she would’ve,
I’ve a right to say goodbye just like
all of these other people, I just want
to show some respect for my best friend
LINDSEY:
You weren’t mums ‘best friend’ when
she died so you’re not her best
friend now, just go
STEVEN:
(Still whispering angrily)Best friend?
Really? Like Lindsey said you meant
nothing to her when she died and you
still mean nothing to her now go away
AMANDA:
(Whispering angrily) I’m staying
no matter what you, Lindsey or
anyone else for that matter says,
I know who I am to her and that’s
all that matters, I know that whatever
happened between us she would of wanted
me here (Walks to her car)
People approach
Steven and shake his hand whilst Amanda sits and glares at them
STEVEN:
Right I think we should all be moving
along now, c’mon Lindsey (Places his
arm around Lindsey and starts to walk
her to the car)
Steven and Lindsey
both get into the car, Lindsey stares out the window at the church as a tear
falls down her face
STEVEN:
Ey chicken, c’mon don’t cry, your mum
wouldn’t want you to be sad today
LINDSEY:
You don’t know what mum would want,
you’re not her, and you don’t know me
like she did, let’s just go and get the
rest of this day over with
Steven says nothing,
starts the car and starts to drive away, all the other cars follow
STEVEN:
I didn’t mean to upset you back there,
it’s hard for me to sweetheart, I’m
doing the best I can
LINDSEY:
Let’s just not talk about it anymore
dad, I just want this day to end
132/4 INT
PUB
(11:00am)
All the cars of
Steven’s friends and family pull up outside the pub
STEVEN:
Right c’mon
Both Lindsey and
Steven get out the car and are greeted by the bar owner, they enter the pub
were there are some guests, they all look over as he walks in, Steven smiles
and walks to the bar
STEVEN:
(Looking at Lindsey whilst reaching
into his back pocket to get out his
wallet) What do you want to drink hun?
LINDSEY:
Nothing thanks, I’ll just go sit down
Steven sighs and
shakes his head, Lindsey sits down at a near seat and looks around to see a few
people staring at her, she looks down and pulls out her phone
STEVEN:
(Walking over to Lindsey) Ey Lindsey my
first ones free because it’s our event
LINDSEY:
(Looks up to her dad with a
shocked
face) How can you say that…it’s not the
time for jokes dad
STEVEN:
Oh no hun, I didn’t mean it like that…
your mum would want us to be happy,
not all sad
LINDSEY:
(Snappy) Dad it’s mums funeral so sorry
if I don’t find your stupid jokes funny
STEVEN:
I’m sorry I didn’t mean to upset you
again…(Takes a sip of his drink) look
Jessica’s over there, are you not going
to say hello?
Lindsey gets up and
walks over to the door where JESSICA is stood wearing a long dark dress
JESSICA:
Hey are you okay? Here this is for you
(Reaches in her bad and pulls out a
card, she reaches out to give it to
Lindsey)
LINDSEY:
(Takes the card and smiles) I’m as okay
as I can be on a day like this, thanks
for coming though, I’m glad you’re
here…
my dad’s been trying to (sarcastically)
‘lighten the mood’ all day and I’m not
in the mood for him
JESSICA:
Oh god, he has to just put on a brave
face for everyone else, I’m sure he
just
wants to keep you happy… have you not
found anything else out yet?
LINDSEY:
Well I can tell you he’s not doing a
Very good job and nope nothing, I think
I’m wrong, I haven’t found anything
other
than my dad acting strange but that’s
bound to happen because we’ve just lost
mum right?
JESSICA:
Yeah that’s what it will be, (Looks
over to Lindsey’s dad who is joined by
a couple of friends) It must be hard
for him, you shouldn’t be so uptight
with
him Lindsey, especially on a day like
this,
I know you’ve lost your mum but he has
lost his wife to
LINDSEY:
(Looks over to her dad) I know I
shouldn’t but it’s just hard to not be
today, I just can’t be joking around
when
I know I’m never going to see my mum
again
132/5. EXT
PUB
(11:30am)
Outside there are a
few people having a cigarette, a car pulls up and a woman who is dressed longs
black skirt and top gets out… a phone rings
KATE:
Hello…yes I’ve just got here now, I
shouldn’t be to long…about an hour or
so...yeah, okay bye… bye
(Kate grabs her bag and walks into the
pub)
132/6 INT
PUB
(11:35am)
KATE walks into the
pub and stares around, Steven notices her and walks over smiling
STEVEN:
Hey, I’m glad you made it
Kate smiles
KATE:
I can’t stay for too long, he’ll be
wondering where I am, you know what
he’s like
Lindsey stares at
them and begins to walk over she walks over
STEVEN:
Right well..
Lindsey interrupts
LINDSEY:
Who’s this then dad?
STEVEN:
Oh Lindsey… I didn’t see you there,
this is my, err…secretary
LINDSEY:
Your secretary? That’s funny you’ve
never mentioned your secretary before
STEVEN:
That’s only because I don’t like to
talk about work at home sweetheart…
anyway Kate this is my daughter,
Lindsey
Kate reaches out her
hand to Lindsey, Lindsey ignores the gesture, glances at the hand to see a
wedding ring and then walks over to the bar
LINDSEY:
(To Barman) A coke please
KATE:
Well its clear someone doesn’t like me
…and your secretary, really? Could’ve
thought of something better than that
Steve, I’d never be a secretary
STEVEN:
Well I had to think on the spot, she
would’ve clicked on if I said you was
a close friend of her mum’s she
knows
all about her mum and her
friends…anyway
how long have you got?
KATE:
Only an hour or so, I told Jerry I was
popping to my mums, the last thing I
want
right now is him going up there and
asking where I am
STEVEN:
Who cares what he does, I’m sure you
can
think of something to tell him, you always
do (Steven winks at Kate) Now come
over
here so we can have a proper talk
Steven and Kate walk
over to a less crowded area of the pub, Kate pulls her bag up to her shoulder
and they both begin to whisper angrily at each other
KATE:
I do care about him you know, none of
this
is his fault he shouldn’t be the one
who
gets hurt, and as far the i always do
comment, I could say the exact same
about you
STEVEN:
Please you can’t be serious, I know
what
you care about, and it’s not him it’s
what’s in his pocket
KATE:
Your one to speak, you only married
that despicable woman to get one over on me,
and now look at you crawling back
STEVEN:
Okay! Let’s stop this it’s not going to
help, and I can see a certain someone
is keeping a very close eye on us
Steven looks over at
Lindsey and smiles, Lindsey just sips her drink and glares
STEVEN:
Let’s go over and act like we have just
had a conversation about work… okay?
KATE:
You can’t just keep brushing this
conversation off, it’s not just going
to go away on it’s own, the not the
right
place or time phrase is getting old
STEVEN:
You don’t think I know that Kate, your
part is as big as mine in this, but for
now
I need to put a brave face on for my
daughter so come on
Kate and Steven walk
over to Lindsey
STEVEN:
(Stroking Lindsey’s hair) Sorry about
that sweetheart we just had some work
to discuss
KATE:
I’m just going to nip to the toilet, I
won’t be long
STEVEN:
Can I get you a drink or anything for
when you come back?
KATE:
No, best not I’m driving (Kate walks
away)
LINDSEY:
So who is she really dad?
STEVEN:
Kate?...She’s my secretary
darling
LINDSEY:
You really expect me to believe that
you have never mentioned her before but
she is your work secretary? And when
you
say you never talk about work? You talk
about work 80% of the time! why’s she
even here anyway she didn’t even know
mum
STEVEN:
What’s so hard to believe darling? She
just has some trouble with some work so
I told her where I am and I suggested
she stopped for an hour, that’s all
LINDSEY:
Yeah okay whatever
Kate walks out of the
toilets and Lindsey walks away and goes and sits with her best friend
JESSICA:
Who’s that then, with you your dad?
LINDSEY:
He says it’s his secretary at work and
she had a problem with work or
something,
I don’t even know
JESSICA:
And do you believe him?
LINDSEY:
I’m not sure, since mum died I don’t
know
what to believe
KATE:
I can feel her staring Steven, I don’t
like it
STEVEN:
She’ll just be suspicious, it’s like
all
the young ones these days don’t worry I’ll sort it
KATE:
We can’t be having people being
suspicious Steve, especially your own daughter,
not when where in a situation like this
STEVEN:
I said I’d sort it and I will, the more
you get worked up the more suspicious
people will get, we just act like we
are
work mates and that will be it, trust
me
will you
KATE:
Well sorry if I find it hard to trust
people, I’ve ended up in this situation, it’s not exactly easy for me to trust
Phone rings
KATE:
It’s him, I best take this outside
132/8. EXT
PUB
(12:15pm)
KATE:
Hey sweetheart
132/9. INT
PUB
(12:15pm)
Inside the pub
Jessica and Lindsey stare out the window at Kate
JESSICA:
Who do you think she’s speaking to?
LINDSEY:
I don’t know, probably someone she
doesn’t want to know that she is here
JESSICA:
Or maybe because it’s quiet outside
and loud in here? Things don’t have to
always be the worst possible thing you
know
LINDSEY
(Getting angry)C’mon it’s my dad
nothing has ever been simple or
straight forward since mum died.
JESSICA:
Well given the situation Lindsey I
don’t think everything will be as
straight forward as they was…
Kate puts the phone
down and walks back to the pub, Jessica and Lindsey sit back down
JESSICA:
Quick get down!
KATE:
I best go, he’s wondering where I am
STEVEN:
Already? You’ve not even been here an
hour
KATE:
Yes already, I told you I didn’t have
long, now are you going to walk me out
or shall I just go?
Steven puts down his
pint and follows Kate out the door, Lindsey follows shortly after. Steven goes
in to give Kate a kiss goodbye as she unlocks her car
KATE:
(Whispering angrily) what are you
doing? Do you want us to get caught?
STEVEN:
No of course not I just want a proper
goodbye, it’s not a lot to ask, no one
can see
KATE:
This isn’t a game you know Steve
STEVEN:
I never said it was just give me a kiss
and ill go
They share a quick
kiss and he waves her goodbye as she reverses out the car park, Lindsey is
stood behind a wall irritated
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